antique

Conservation Treatment of a Canadian WWI Battalion Panorama Photograph

Lambton 149 Battalion, panorama photograph, before and after conservation treatment.

Lambton 149 Battalion, panorama photograph, before and after conservation treatment.

As we work our way through the centennial years of the First World War, archives and museums across the country are showcasing items from their collections that relate to Canada’s role in the conflict. This is a wonderful opportunity to show respect for our past and educate younger generations about the impact of war; as these collections are being dusted off for exhibition, it is also the perfect opportunity to provide artifacts with much-needed conservation attention.

WWI Panorama Photograph - tightly rolled

A WWI battalion panorama photograph recently came to Book and Paper Conservation Services for treatment from the Lambton Heritage Museum in Grand Bend, Ontario. Like many oversize and awkwardly shaped items, the panorama photograph had been stored rolled for much of its life. Age and exposure had caused the paper to become brittle, and the photograph was inclined to stay in its rolled configuration. Any attempt to unroll it caused stress to the materials, and several breaks had already occurred in the first several inches of the panorama when the brittle paper had been forced open.

Breaks in the brittle photograph caused by rolling.

Breaks in the brittle photograph caused by rolling.

This meant that the image could not be accessed at all; although cataloguing records noted that it was an image of the Lambton 149th Battalion taken in 1916 at Camp Borden, Ontario, the details of the soldiers and their surroundings could not be studied. 

According to Andrew Meyer, Corporate Cultural Officer of Lambton County Museums, the Lambton 149th battalion panorama photograph was donated to Lambton Heritage Museum by a community member, and it is the Museum’s only copy of the photograph. The photograph is important to Lambton County’s history, and conservation treatment was necessary for it to be accessed and appreciated by a wider audience.

After the panorama was brought to the Book and Paper Conservation Services studio, it was carefully examined and a treatment proposal was submitted to the museum. The photograph needed to be humidified to allow unrolling, and the breaks to be repaired. With the museum’s approval, treatment began at the studio.

Humidification allowed the panorama to be gently unrolled without causing further damage.

Humidification allowed the panorama to be gently unrolled without causing further damage.

Humidification in several stages allowed the panorama to be gently unrolled without causing further damage to the photograph. After flattening between blotters for several days, it was returned to an even, planar state with no inclination to roll back up.

Surface cleaning removes a significant amount of grime, brightening the image.

Surface cleaning removes a significant amount of grime, brightening the image.

Once the image could be fully accessed, the photograph was gently surface cleaned to remove loose dirt and grime. It may not have appeared grimy, but many years of dust and dirt had accumulated on the surface and cleaning yielded quite an improvement. The soiling was present over the entire surface, but was concentrated at the side of the panorama exposed at the open end of the roll. 

Ready to begin tear repairs on the verso of the photograph.

Ready to begin tear repairs on the verso of the photograph.

Next, repairs began on the breaks in the substrate. Japanese tissue and wheat starch paste, stable and reversible materials favoured by paper conservators for repairs, were used to mend the breaks and reattach the loose fragments. 

Consolidating the surface of the emulsion.

Consolidating the surface of the emulsion.

After each tear was repaired, the photograph's emulsion was consolidated to strengthen the area and restore continuity to the surface. Small losses were inpainted with watercolours and coated to restore the surface gloss.

One final humidification and flattening helped to ease the distortion caused by the tear repairs, and then treatment was complete. The process was very successful, achieving the goals of restoring access to the image and repairing the damage it had suffered over the years. 

The Lambton 149 Battalion Panorama, after conservation treatment.

The Lambton 149 Battalion Panorama, after conservation treatment.

The year 2017 marks the centennial of the Lambton 149th Battalion’s deployment from Halifax Harbour, and the Lambton Heritage Museum has planned several initiatives to celebrate this anniversary. The photograph is included in an exhibition currently on at the Judith and Norman Alix Art Gallery (JNAAG), entitled Lambton at War. The exhibition, focusing on Lambton county’s contribution to the war and the impact of the conflict at home, accompanies a traveling exhibition from the National War Museum, Witness: Fields of Battle Through Canadian Eyes, and runs until January 7, 2018.

JNAAG Exhibitions 2017

Book and Paper Conservation Services is very pleased to have been part of this project, and we encourage you to check out the exhibition at JNAAG and the Lambton Heritage Museum if you are in the area! 

If you have historic or archival items that you are interested in having conserved, get in touch with us today to learn about our services. Or, check out our gallery section to see more conservation treatments of archival materials like documents and photographs. 

Repair of an Antique Patent Medicine Advertisement

Brown's Vermifuge Comfits advertising poster board, c. 1860's. Recto showing chromolithograph print.

Brown's Vermifuge Comfits advertising poster board, c. 1860's. Recto showing chromolithograph print.

Brown's Vermifuge Comfits advertising poster board, c. 1860's. Verso showing acidic pulp board backer.

Brown's Vermifuge Comfits advertising poster board, c. 1860's. Verso showing acidic pulp board backer.

This interesting 1860's advertising poster for Brown's Vermifuge Comfits came to the studio with a jagged break across the centre of the board. Its conservation treatment involved repairing the break, inpainting loss and light surface cleaning.

Chromolithograph advertising artworks such as this one, for a patent medicine based on worms, (sounds appetizing, doesn't it?), were frequently produced mounted on a thin pulp board backer, for strength and display purposes. The acidic wood-pulp board has however, after 150 years, become brittle and crumbly, and in its weakened state is easily damaged. 

Inserting a repair strip across the break.

Inserting a repair strip across the break.

The break was mended by inserting a thin but strong strip of acid-free board into the centre of each side, providing a sort of "biscuit" joint repair. The sides were prepared first by splitting the board, and removing some of the original board material to make room for the repair strip. Then the repair was cut to match the shape of the break, and thinned down on either side to allow for easier insertion. The joint was completed and adhered with our good friend wheat starch paste, and pressed under weight to dry. 

The loss filled with Japanese paper and ready for inpainting.

The loss filled with Japanese paper and ready for inpainting.

Damage around the break had resulted in some loss to the surface of the printed image. The loss was filled with Japanese paper fibres and then inpainted to match the surrounding image.

Swabbing to remove dark brown accretions on the surface.

Swabbing to remove dark brown accretions on the surface.

Finally, swabbing removed several sticky brown accretions on the surface of the advertisement. 

After treatment, the break is repaired.

After treatment, the break is repaired.

 

After restoration the advertisement board is intact, with little evidence of it's previous damage. It is ready once again to give us a glimpse into the strange victorian era of quack medicine.